Sabtu, 25 November 2017

Download , by Adrian Greaves

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File Size: 2837 KB

Print Length: 192 pages

Publisher: Pen & Sword (August 24, 2012)

Publication Date: August 24, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0091WB82W

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The 19thc war in Zululand includes much more than the British disaster at Isandlwana or the engagement at Rorke's Drift. A series of battles and engagements took place through out the war encompassing two campaigns. Author, Ron Lock examines each one and in a succinct yet satisfying manner gives a fine account. One finds heroics and "stupidity" through out and it becomes clear the author has a critical opinion of British "field leadership", though certainly not for the rank and file. The author conversely gives praise to Zulu tactics as responsible for their own victories.The second battle of Hoblane was the most serious British defeat after Isandlwana yet forgotten with the joy of the victory of Khambula March 29th 1879. Khambula did not capture the British public's attention as it was what was expected of their army. What present student of this war can not be drawn to Gingindlovu? {known to troops and civilians as gin gin I love you! Again forgotten.The author wisely and creatively ends each chapter with an evaluation of the engagements and includes his thoughts as to why same have been forgotten.I found it surprising that, per the author, Chelmsford's victory at Ulundi was in actuality not the "end" for the Zulu and in point of fact hostile Zulu impis in significant numbers remained in the field. Chelmsford had been relieved of his command and General Sir Garnet Wolseley arrived as replacement. Lord Chelmsford knew of this and with due haste before Wolseley could take command, sought what he could describe as a victory, salvaging his reputation after Isandlawana. Wolseley "finished the job".Mr Lock provides a chapter on the defeat of African King Sekhukhune and the Pedi nation in November 1879. This chief had been the main concern of the British well before the Zulu nation. This seeming a bit out of place but one can argue the point.Lastly an end chapter on those pesky Boers and the opening of the First Boer War with the their shameful ambush while under their own white flag of a column of the 94th regt. {2nd Battalion Connaught Rangers}. The 94th saw action against Zulu, Pedi and Boer before leaving South Africa. Again seemingly out of place unless one wishes to draw campaign continuity for this regiment.The final chapter for some reason reverts back to Rork's Drift and a perhaps not too cynical thought that too much was and is made of same.Contention is that the fight had no military campaign importance, but rather served as an attempt to sooth the ache of Isandlwana. I believe one cannot whether correct or not, deny the courage and tenacity shown in defending the mission behind "mealie bags".Maps are good and footnotes are annotated and the appendices are informative. While some will argue conclusions few I believe in allhonesty can deny this book's efforts.

The Anglo-Zulu War of 1879 is probably one of the more memorable of the series of Queen Victoria's "little wars" that took place in the 19th Century, in large part due to the popularity of the movies "Zulu" and "Zulu Dawn", which dealt with the battles of Rorke's Drift and Isandlwana, respectively. This book doesn't cover those engagements as they really deserve books of their own (Ian Knight, Mike Snook and Adrian Greaves have all written separate and excellent accounts of these battles), as the author focuses on other battles from the war that are little remembered today. He does an excellent job, and his post-script to each battle where he describes the current condition of and access to these various battlefields is very interesting. A great read if you want an overview of the Anglo-Zulu War, and an equally great and similar work is Ian Knight's "Great Zulu Battles".

Brings together the causes and results of the Zulu War. Shows the Zulu people as freedom fighter as opposed to savages .

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Kamis, 23 November 2017

Download Ebook Fibromyalgia and Muscle Pain: Your Self-Treatment Guide

Download Ebook Fibromyalgia and Muscle Pain: Your Self-Treatment Guide

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Fibromyalgia and Muscle Pain: Your Self-Treatment Guide

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Fibromyalgia and Muscle Pain: Your Self-Treatment Guide

About the Author

Leon Chaitow is a registered osteopath and naturopath, and a senior lecturer in Complementary Health studies at University of Westminster, London. He has lectured widely around the world and taught at chiropractic colleges throughout the USA.He is the bestselling author of a wide range of health guides including Candida Albicans: Could Yeast Be Your Problem and one of Thorsons most longstanding and successful authors.

Read more

Product details

Series: Your Self-Treatment Guide

Paperback: 288 pages

Publisher: Thorsons; New edition edition (September 9, 2011)

Language: English

ISBN-10: 9780007115020

ISBN-13: 978-0007115020

ASIN: 0007115024

Product Dimensions:

6.3 x 0.7 x 8.4 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#2,027,710 in Books (See Top 100 in Books)

I was diagnosed with fibromyalgia (meeting chronic fatigue syndrome criteria as well) several years ago, and I've read many books on the subject. This one is written for the intelligent lay person or healthcare practitioner; it's fairly easy to read and contains loads of useful information on diagnosing and treating fibromyalgia. I refer to it often for self-treatment and have ordered copies for several members of my healthcare team. The emphasis here is on treatments that have actually worked for patients, not on speculative causes and effects. Included are questionnaires on allergies, hyperventilation, candida, thyroid, food intolerances, anxiety, and low blood sugar, along with specific suggestions for treating these problems.Of particular interest to me were the sections on breathing patterns and fibromyalgia. Dr. Chaitow discusses the chain reaction that takes place when you stop breathing deeply and regularly (because of pain, in most cases). Among other things, shallow and irregular breathing actually increase your perception of pain.An excellent, fairly short reference volume for your fibromyalgia library (if you have fibromyalgia, you probably have one)... I recommend it highly.

I've already read this book twice and loaned it to my massage therapist so he can let his other FM clients know about it. It is especially good in establishing that FM is a "syndrome" -- meaning that it has lots of different aspects and helping the body heal any of those aspects lowers the total body load and frees up its resources for healing other aspects as well. This book also provides some excellent discussions on how FM develops -- including breath, posture, trigger points, sleep, fatigue, allergies, etc. Brought together and expanded many ideas I have developed on my own. Highly recommended.

I just ordered the book, expecting the new edition and received the 1998 publication. I have fibromyalgia and had seen this book, however I was hoping the new edition had updated information. Please let me know if there is a difference in the publications and why I received the older version. Thank you.Fran Pallesen

great book, I had borrowed it from a friend, but needed to have one of my own, very helpful for understanding pain.

I have read a number of books on Fibromyalgia (it is the topic of my Masters Thesis). Of everything I have read this book is the most thorough and complete. It includes everything from history to treatment and it is easy to understand.Everything in the book is backed up by research references. All symptoms are explained as to their cause. Treatment options are available, many that a person can do themselves, like the importance of dealing with stress and getting enough sleep.I recommend this book to both health care professionals as well as to FMS sufferers alike. There is something here for everyone.

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Selasa, 21 November 2017

PDF Download , by Michael Cotey Morgan

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, by Michael Cotey Morgan

Product details

File Size: 1092 KB

Print Length: 424 pages

Publisher: Princeton University Press (November 13, 2018)

Publication Date: November 13, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B074Q3P5JQ

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#418,677 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This is a fascinating book on a fascinating topic, and it gracefully connects the story of the Helsinki Final Act to the broader context of international relations and the eventual end of the Cold War. The prose is very readable, and provides clear explanations of the subject matter and intriguing biographical details of its protagonists.

The premise of this book makes me slightly uncomfortable. The press release concludes thus: “Instead of restoring the legitimacy of the Soviet bloc, Helsinki established principles that undermined it.” For somebody that views the Soviet Union as an evil empire just like WWII Germany, this phrasing makes sense, but as somebody who grew up in the Soviet Union shortly after this meeting, it is hard for me to see how the demise of the Soviet region is a positive. I am hardly a communist, but the communist ideals that the Soviet Union was built on were just as valid ad capitalism or the American interpretation of democracy (which includes only two parties and a voting system where the majority loses the vote). Obviously, Stalinism, the Cultural Revolution and other aspects of the Soviet Union were disruptive and harmful for those under its rule and around the world, but scholarly books should ideally be detached from strongly choosing a side in an ideological debate such as this one. And why would it benefit anybody if one of the sides in a meeting was undermined instead of being reaffirmed. It is highly hostile to go to a meeting with the intention of undermining the other side. If any side won this meeting, clearly it signaled the continuation rather than the end of the Cold War, and the current Russian election meddling debate suggests that this War never really ended, as resentments continue to be high. Earlier today I read about the Russian cosmonauts testing a hole in their spaceship to check if it resulted from space or earth-bound sabotage: isn’t it time to evolve above such nonsensical, harmful-to-all-sides tactics?This book describes the events surrounding the Helsinki accords, three years of negotiations in Finland, that were signed by the parties in the summer of 1975, and on the surface it proposed cooperation and peace with territories under the Iron Curtain. The agreement expressed goals included its endorsement of “human rights as a core principle of international security, committed countries to greater transparency in economic and military affairs, and promoted the freer movement of people and information across borders.” Apparently to come to these, the Brezhnev Doctrine had to be rejected, as well as most of the proposals made by the Soviets. What could the Soviets have been proposing that was rejected: equal writes for the working class, freedom from the oppression of religion? It’s not like they were proposing Stalinist repression of intellectuals, so why did they end up signing this agreement at all, if it was so skewed towards western values. Then again, is transparency and human rights at all anti-communist in their ideology? But, it is unlikely that this book answers any of these questions, instead taking the stated perspective that a Soviet failure was the goal for the summit… Or that whatever it was the Soviets came to ask for, if they did not get any of it by the end, and the west received everything it asked for, this summit could have books written about it, glorifying its brilliance.The “Introduction” begins like a fiction novel with the description of the arrival at a train station of the Soviet leader from Moscow. The next paragraph explains what a part of the book’s title means: the Helsinki Final Act is the name of the 22,000-word capstone agreement they finally ended up signing. The book relies heavily on historic quotes and summaries from primary documents that describe the various leaders and related actions. It explains the goals and motivations of the various actors, including NATO, the different countries involved (not just US and USSR), the regional wars and conflicts that were its background, and other impacting political details. Presidents who are setting out to negotiate for America’s interests in a similar conference would definitely benefit from reading this book. It is not a good fit for a class because it jumps around too much between very complex topics and theories. But those writing a thesis or a dissertation on a related topic should be able to use the index to find details that might verify their own historical arguments.Pennsylvania Literary Journal: Fall 2018

Michael Morgan's "The Final Act" is a thoughtful and engaging history of the Conference on Security and Cooperation in Europe. Professor Morgan explores the crisis of legitimacy facing both the West and the Soviet Bloc, and the ways in which the Helsinki Conference responded to the evolving politics of the 1960s and 1970s. He presents careful research in lucid prose, and provides an accessible and scholarly discussion of an often overlooked, but vital, moment in the Cold War.

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Sabtu, 18 November 2017

Free PDF The Little Flower Bulb: Helping Children Bereaved by Suicide, by Eleanor Gormally

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The Little Flower Bulb: Helping Children Bereaved by Suicide, by Eleanor Gormally

Product details

Paperback: 32 pages

Publisher: Veritas Publications (September 7, 2011)

Language: English

ISBN-10: 1847302602

ISBN-13: 978-1847302601

Product Dimensions:

9.5 x 0.2 x 8.8 inches

Shipping Weight: 5 ounces (View shipping rates and policies)

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Amazon Best Sellers Rank:

#2,936,905 in Books (See Top 100 in Books)

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Minggu, 12 November 2017

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File Size: 5499 KB

Print Length: 351 pages

Page Numbers Source ISBN: 4805314435

Publisher: Tuttle Publishing; Original ed. edition (April 15, 1998)

Publication Date: April 15, 1998

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00R1W9PEW

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The death poem, or jisei in Japanese, is expected to be composed in addition to a last will and testament. This book's masterful compiler, Yoel Hoffmann, notes in his introduction that jisei have been interpreted as final concessions to politeness and proper social conduct (i.e., they are salutations to those still living), but quickly dismisses this theory by showing how few of these poems are written using the honorific language intended for such salutations. This collection offers us both tanka written by Zen monks and a larger helping of death-related haiku: for those unfamiliar with the mechanics of those styles, the former is a 5-line poem following a pattern of "5-7-5-7-7" syllables per line, while the latter is a 3-line poem following a "5-7-5" pattern of syllables per line. Neither uses any rhyming convention, even though the vast majority of the words in the Japanese language end with one of the five vowel sounds.Hoffman's synopsis of tanka poetry's spiritual inclinations is as accurate as any you're likely to read (he likens the poet to "a person holding two mirrors in his hands, one reflecting a scene from nature, the other reflecting himself as he holds the first mirror (p. 19-20.)" The vast majority of the poems here were recorded on dates during the Tokugawa period of Japan (1603-1868), even though jisei practice only really became de rigeur in the subsequent Meiji era. Nevertheless, the Tokugawa-era poems perfectly reflect the dramatic increase in cultural pursuits - the fabled ukiyo or 'floating world - particular to that time. This collection also shows the great friction between the Japanese heathen spirit of Shinto and the neo-Confuciansim popular during the Tokugawa era: the former's identification with nature spirits and the latter's more anthropocentric morality sometimes mesh perfectly in the poems, and sometimes make for bold moments of incongruity.The book's publisher, Tuttle, is one that specializes in Asian-themed books (travel journals, reprints of classics etc.) In their case, keeping this restrictive policy towards their choice of subject matter has allowed them to, ironically, release books that maintain a very universal appeal. Japanese Death Poems is one of these: despite the author's careful attempts to explain who wrote which poems under what uniquely Japanese historical conditions, these epigrams rarely fail to transcend time and place. Having said that, there are examples here that would be highly relevant to practicing Japanologists: there are entries from the renowned painter Hokusai (who pictures himself as a ball of blue fire hovering in the air), from haiku master Basho's oft-boastful pupil Kyoriku, and from several of the famous 47 ronin [masterless samurai] that inspired so many legends and epic films. Along with the historical perspectives come knowledge of cultural facts that may be unknown to new students of this culture, such as the Buddhist convention of giving a deceased person a new name, or the metaphorical significance of birds like the plover and hototogisu (cuckoo.)Ultimately, though, the book's main selling point is not its ability to fill the gaps in one's historical knowledge, but its ability to provide fresh, unexpected perspectives on the great, creeping inevitability of death. One surprise comes in the sheer breadth of humor, from cheeky to mordant, that animates many of these entries: there are, for example, death poems that poke fun at the institution of death poems themselves, and also ones that upset the Japanese notion of reverence for grand masters in any craft: one poet takes the lines of Basho's famous death poem ("On a journey, ill: / my dream goes wandering / over withered fields") and twists them into the irreverent parody "Locked in my room / my dream goes wandering / over brothels." Elsewhere, the poet Moriya Sen'an unleashes some skillful punning while anticipating a happily debauched afterlife: he requests to be buried beneath a leaky wine barrel, with the gag being that the Japanese for "the cask will leak" ("moriyasennan") is phonetically identical to the writer's name. When not surprising with comic devices, we can find other moments of extreme unorthodoxy in this book, such as when a character named Shisui is asked to compose a death poem, but merely paints an enso in his dying moments (an enso being the plain black circle characteristic to Zen Buddhism, symbolizing 'void as essence' and enlightenment.) The Zen monk Takuan Soho chose a similar method, painting the Chinese character for "dream" in lieu of a death poem as he breathed his last. The orthodox entries are no less interesting, though, showing that much sublimity and individuality is possible even when working within the rules, like the suggestion that death poems should include a seasonal image from the time in which the writer is dying.Buddhist ethics and views on eternity do, naturally, color much of the poetry in this volume: this may be problematic for anyone who absolutely cannot handle a good dose of Mahayana Buddhism in particular (a philosophy in which the "void" is not the opposite of the phenomenal world, but rather "the world in all its shapes and colors" itself [p. 306.]) If this way of thinking doesn't agree with you, there is plenty of poetry here making no explicit or implicit reference to articles of Buddhist faith. Some do anyway, and yet are no less effective in their simple poignancy, or their ability to be applied to the lives of any mortal: see for example Sofu's entry, which reads "Festival of Souls: / yesterday I hosted them / today I am a guest..." Whatever one's inclination towards Buddhist thought, many of the stories Hoffman unearths are fascinating and vital- who can fail to crack a smile at the story of the poor monk Eisai (1141-1215, a founder of Japanese Zen): he traveled to Kyoto near his death in order to "show people how to die," willed himself to die while sitting in a meditative zazen position, but then revived when his audience complained that he had died too quickly!I highly recommend Japanese Death Poems as a nuanced alternative to the more sensationalist (when not inaccurate or outright fabricated) "dark side of Japan" material. Given, the libidinous extremes uncovered by those other accounts are mind-altering when produced properly, but I often wonder what end purpose motivates these publishers' enthusiastic quest to show only the most blood-soaked side of Japanese life and death. A personal regimen of welcoming aestheticized psycho-terror (or, as the U.S. Marines call it, "embracing the suck") works to a certain degree, but unchecked death drive produces vastly diminishing returns when taken on as a ful-time way of life. So, when you do tire of that, there are books like these to turn to, which contain more genuine surprises than many of the books claiming they will shock you out of your cultural torpor. Whether these compact little jisei are motivated by an inherited Confucian sense of duty, by pure egotism, or other factors, the effect of reading them all is intoxicating: there is something special about people forcing themselves to contribute to creative life even as death prepares to swallow them up. I leave the last word to Hoffman here, since he shows what it is that ignites this spiritual defiance:"...how wise and humane is a culture that does not contrive an otherworldly supreme being to rule this world, the only one we know. One might ask what there is to be gained from a 'spiritual' sovereign who disturbs the peace of man with commands to act one way or another, promising in exchange an eternal world where scent, shape and color never enter [...] [Japanese nature] is not nature as understood by Western religions, the work of a creator who stands apart from his work, but nature bursting with vitality, appearing and disappearing in cycles of life and death, os summer and winter, spring and fall (p. 38-39)."

Educational, moving, and considering that they are Death Poems, enjoyable. The notes with each poem are very succinct and enlightening. I wonder if these writers would have imagined that there last Poems before death would be available centuries later for 1.99 on a Kindle. Everything is an illusion.

I really enjoyed this book. It's a very interesting compilation of poems and often the backstories of the individuals writing them. The different perspectives and insights on death as expressed in poetry was a neat look into another culture.

Intriguing theme for a collection that makes every poem all the more poignant. These brief poems are given good context by the collector/translator, but the real draw is the poems themselves. Most are not morbid but instead small crystallizations of wonder or beauty.

It is traditional in Japan to have a poem on your lips at the time of your death. Many cultures have the tradition of ascribing importance to the "last words" of a dying person, but I think Japan is unique in attempting to make death a beautiful aesthetic experience. As such, this collection has something for all humanity. Death is something we'll all eventually face; doing so with something approaching dignity is something we can all hope to do.Many cultures and religions have a tradition of a sort of happy hunting ground for an afterlife, to provide comfort to the masses of people who have had a hard life. It is my sense that the Japanese didn't have this sort of tradition in Shinto or Zen. As such, the Japanese approach to the end of life has particular poignancy for modern secular humanists, who also have no "happy hunting ground" to hope for.I can't speculate whether or not the poems are well translated, or the cultural anthropology was accurate, but I found the collection profoundly moving.

this book has a wonderful introduction. it is a large chunk of the book, instead of the usual ten pages or so it's 87 pages! this serves to educate the reader on japanese poetry throughout history and it is very useful in understanding and internalizing the poems.after that are the poems of zen monks, many with little mini biographies preceding them that often leave you wishing you could read all about the poets, even more so after you read their last words! some of these poems made my hair stand on end in awe. very deep and transcendental words.next is the haiku poets, also truly beautiful and unique.

These kind of poems are to be approached with reverence. I am very grateful that, finally, someone had the courage to move on from the heart moving poetry of nature to this particular subject. It is a deeper theme in many aspects, personal, social, semantics, as well as regrets for living this world. It is a very well explained kind of poetry and this book deserves a lot of attention. The reader will step in the realm of things a bit hard to talk about, but we all have things to learn from these poems.

A mix of haikus and “western” poetry. Gives a lot of historical context. Not just a book of poems. More like a history text!

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Minggu, 05 November 2017

Download PDF A Japanese Touch for Your Garden

Download PDF A Japanese Touch for Your Garden

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A Japanese Touch for Your Garden

A Japanese Touch for Your Garden


A Japanese Touch for Your Garden


Download PDF A Japanese Touch for Your Garden

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A Japanese Touch for Your Garden

About the Author

KIYOSHI SELKE was born in Kyoto in 1918 and holds degrees from the Tokyo Academy of Fine Arts and the Tokyo Institute of Technology. One of postwar Japan's most original and thoughtful residential designers, he was with Masanobu Kudo a chief editor of Sakutei no Jiten (Encyclopedia of Garden Making). He is currently professor emeritus at the Tokyo National University of Fine Arts and Music, and the Tokyo Institute of Technology.MASANOBU KUDO was born in Tokyo in 1924 and holds a degree in East Asian history from Kyoto University. He helped found the avant-garde Ohara school of flower arranging and in 1969 became the director of the Japan Ikebana Arts Association. An acknowledged expert on flowers, trees, and plants, he has contributed to numerous publications on flower arranging and Japanese gardens.DAVID H. ENGEL, who served as editorial consultant for this volume, is a prominent American landscape architect and site planner. For several years in the 1950s, he studied in Japan under Tansai Sano, the late master landscape architect of Kyoto. Now in practice with an office in New York City, Mr. Engel does both private residential and large scale commercial and public work. His designs include Heian pavilions for the headquarters of the Gulf States Paper Corporation and the Japanese garden on the Rockefeller estate, acknowledged to be the finest in the Western world. A contributor to House Beautiful and The New Yorker, Mr. Engel is also the author of Japanese Gardens for Today.

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Product details

Paperback: 80 pages

Publisher: Kodansha USA (February 15, 1993)

Language: English

ISBN-10: 4770016611

ISBN-13: 978-4770016614

Product Dimensions:

11.6 x 0.4 x 8.6 inches

Shipping Weight: 2.8 pounds

Average Customer Review:

4.5 out of 5 stars

28 customer reviews

Amazon Best Sellers Rank:

#830,757 in Books (See Top 100 in Books)

Not a coffee table glamour book, not a glossed-over editorial toss-off destined for the remainder bin. This is quite simply the best guidebook for the amateur of the Japanese garden who wishes to try out the concepts at home.It can be very frustrating to take home some fancy book on Zen gardens, only to find that it contains no real help for creating one. This book's real, step-by-step, practical advice is what anyone is after. It does not pretend to be the end-all of the art, & rather it admits this right from the title (A Japanese TOUCH...) This book will get you the right LOOK.I found especially useful the diagrams of how to get balance (especially through rocks) within a space. There are some very good illustrations of bamboo fencing, too. Botanical suggestions and lists of suppliers are also helpful, but these lists are not exhaustive. You can achieve the basic framework with this book, though. I have yet to find a better Japanese gardening book... room for improvement is in expanding the above lists and adding practical suggestions for more ambitious, larger landscaping. But this will get you the basics.Bonus delight is the first entry, a mood-setting piece on one man's contemplation of mountains and forests... all to be found in his tiny Japanese garden.Grab a copy and use it and love your results!

This book shows how to use essential elements such as rocks, plants, laterns, and boulders etc., within a space. The diagrams in the book illustrated how to use those elements to balance and compensate each other and make your garden looks much bigger and more appealing to the viewers.A great book to read before you start your weekend garden project. This book will give you inspiration and give your spirit alift. I built my Japanese Rock Garden after reading this book and other book that I bought "Ortho's All About Creating Japanese Gardens". A great garden will add value to your home so did my garden -- a friend of mine who is a realestate appraiser told me that I must added about $30,000 to my property although I spent only about $5000 on the materials.Highly recommanded for anyone who are interested about Japanese Garden or do it youself gardener!!!!!

This is a used paperback book that arrived on time and in the condition described. It's mostly in color and has lots of great info, as well as diagrams. I would recommend it for anyone considering making a Japanese garden. I would order from this seller again.

this book is a good accompanyment to other Japanese gardening books. Definitely not to decorate a coffee table, but to practically show one options (various bridges, paths, fencing, ponds, etc) that one can incorporate into their garden for a japanese feel. I especially liked the detailed garden sketch at the end of the book showing an example of what to plant where. I would have assumed much fewer plants from the pictures than what the author sketched in. This will come in extremely helpfully come planting time!

Great book!

Lots of great pictures of Japanese gardens. This book prepared me for the beautiful gardens in Kyoto when I visited there.

I was very excited to get this book based on the glowing reviews. However, as a novice gardener, I find this book heavy on theory and pictures but too light on practical implementation. I am inspired by the tranquil pictures but I was hoping for detailed diagrams of which plants to use and where to plant them for each garden pictured.

Even though I live in an area with little rainfall, I always enjoyed the Japanese Garden. With this book, I realized that you don't have to have a large garden. I'm able to create that "small" space garden incorporating the Japanese style.

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